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Thicket.2017.fullimage.ccoeThicket

It is with great excitement that I announce my debut Phoenix solo exhibition in September at the wonderful contemporary gallery, Chartreuse. You are invited!

The Reaches

Opening Reception, First Friday, September 1st, 6pm – 10pm
Closing Reception, Third Friday, September 14th, 6pm – 10pm
Additional showings on Saturdays 2nd and 16th, 10am – 3pm

Music by Alan Jones. Refreshments.

Chartreuse, 1301 Grand Ave 2b, Phoenix, AZ 85007

 

This large body of expressive surrealistic paintings was created in watercolor, ink and pastel. Each one in some way embodies the show’s title, The Reaches, with themes of connectedness and holism. Most of the paintings have never been shown before. Several new works from this year are included, both framed, and rawly, unframed — though it may be a bit shocking to have some delicate pastel work exposed without glass, they’re going to be living on the edge. My process involves organically, spontaneously allowing the colors, textures and story to evolve before me. My inspiration occurs in recognizing that all of us are parts of deeply interconnected experiences and then, from that vantage point, pursuing creative ideas within subjects such as biophilia (human innate need to connect with nature), mythology, pathos or the collective unconscious.  It is such a pleasure to work and collaborate with agent/curator, Nicole Royse, and owner of Chartreuse, Nancy Hill. You may RSVP here at Facebook.

Chartreuse

I deeply look forward to this opportunity to meet others in my community and share my work. Hope to see you there!

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I completed this painting last week, and the title seemed obvious to me. Two figures connect  and travel earthy caverns. Here is The Passage, 2017, 7 1/8″ x 10 1/4″, watercolor, ink and pastel. It is available here

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Details:

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It really is all in the details. I have a lot of fun panning out and zooming in as I work. I always feel there are many little paintings within the one.

Here are some other drawn works finished this month.

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Pieces and Graces

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Bouquet

To Eat the Bread In Your Wild Wakes

To Eat the Bread in Your Wild Wakes

The drawing below, made with sienna ink and pastel, is part of my biophilic series, elementals.

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Lilt

Thank you again for coming by to look and read.

Thicket is my newest abstract and surreal painting, created with watercolor, ink and pastel, 19 1/4″ x 20″.

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I began this more abstract painting, much as I do many, with only a slight perception of where the story might take me. My lines felt very much in sync with how I make contour drawings, but by using larger movements. India ink is a marvelous medium because it is so powerful, lustrous and unforgiving. Because this ink is permanent, creating with it feels like cliff-jumping. Sometimes I decide to jump really big. Why not? This work is figurative in the slightest, wildest sense. I hope to impart a kind of biophilic, nature-needing impulse.

Thicket is immediately available for purchase at my website.

Here are some recent ink drawings.

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Oyster

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The Praise. This is a drawing from my series, elementals. 

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Above is a detail picture from one of my small paintings in progress. This bird found itself on the edges of a lavender structure. I didn’t know it was a bird till I put a drop of black India ink on the sienna oval… and voila. Tweet, tweet.

It has been a productive summer thus far in my new home/old hometown, Phoenix. It’s heating up, but I feel my body adjusting to the encroaching 110+ temps. However, I won’t mind heading up north to my other mountain home, Flagstaff, to cool off and be inspired by the lupines, primroses and wild orchids.

Below is truly an Arizona drawing called Mountains and Mesas, 2016. I made it while living in an alternate reality of dewy, humid nature in the PNW.

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Take care.

 

 

 

 

 

 

 

 

 

I completed this small painting in May. It is a meditative piece.

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Drawings, created in ink and pastel….

 

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Hearing, Here
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to let go a god for Spirit

This is a grouping from my series, elementals.

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And…This is another work in progress.

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This is my newest completed painting. In it, I responded to many ponderings on the way we recognize one another as human animals. How we coalesce because of another’s connection to our lives. I will leave it at that, as there are so many ways to travel from those conversational/meditative starting points. Our Faces Come Because You Look For Us, 2017, watercolor, ink and pastel, 27 1/8″ x 19″, archival paper, unframed. You can view more at my shop. Enjoy.

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Tonight, The Women Who Paint will again be having a group show at the Artery/Studio 6 based around the Art Detour 29 theme The Selfie. The artists included are Charmagne Coe, Carla Keaton, Cindy Schnackel, Lucretia Torva, Marisa Hall Valdez and Randy Zucker. I had to contemplate this theme for a bit… as I am not wont to think of myself as a solo self, but rather, I am me because of all of us. Universality. When I chose the works for the show, I saw my image in the works as me as having been affected by others. And, they are of you too if you see yourself there.

The Selfie Show 
The Artery/Studio 6, 623 Indian School Road

Opening Reception:
First Friday, March 3rd, 6 – 10 pm

Art Detour Hours:
Third Friday, March 17th, 6 – 10 pm
Saturday, March 18th, 11 am – 5 pm
Sunday, March 19th, 11 am – 5 pm

A little more about Art Detour 29:

“Art Detour is expanding from two to four days in 2017, and will feature a diverse slate of activities created by local artists and art venues to celebrate the growing, vibrant Phoenix arts scene. The event is produced by Artlink Inc., in partnership with the City of Phoenix Office of Arts and Culture, Downtown Phoenix, AZ and Artlink Articipants.”

This is the recent drawing, Write the Words’ on Chapters’ Mouths. 

Last month’s Small Works Love Show at The Artery was an intimate exhibition of works by my artist group, Ladies Who Paint. This gallery is located in the heart of Phoenix. It is home to the art collective at Studio 6; there art studios are upstairs… and when you visit, do take the time to see them! This was the first of many shows to come at this location throughout 2017. Below’s picture is courtesy of MJ Deen.



Here is my most recent painting. I so enjoyed the creation of this biophilic and expressive work. I continue to explore the automatistic, spontaneous pulse of the narrative that unfolds when I paint or draw each element. And as well, I seek to combine the spontaneous gestures with my personal reflections on nature and life at large. You can also see this work at my website.

The Verse Of Flora’s Gate, watercolor, ink and pastel, 14 5/8″ x 11 1/4″.

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Detail pics:

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I’ve joined a group of Arizona artists who meet monthly. We enjoy discussing technique and latest community arts news, planning painting/drawing meetups and collaborate on exhibits.  12 of us will now be presenting our work in The Artery, a gallery run by a local artist collective, through a variety of group and solo shows. For February, we’ve chosen a love-themed group exhibition. Join us this first Friday!

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Small Works Love Show
Opening Reception
Friday, February 3rd
6pm – 9pm
623 E. Indian School, Phoenix, AZ

 

I will be exhibiting Diviners, a watercolor, ink and pastel painting, Say That Again, an ink drawing and giclée limited edition prints.

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I have received an invitation to a surrealism group show, Figure So Surreal, in May. This will be a large gathering of surrealists — some whose work I’ve followed for many years. “A journey into the minds of over 3 dozen talented artists as they dance with images of a surrealist world. From Arizona and beyond!”, writes Travis Fields, curator. I’m very excited to be a part. You can visit Facebook to RSVP or learn more. I’ll have more details as the date gets closer.

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Here is my latest painting. The process of it almost haunted me as I swam from color to color, through tawny swirls of soil and rosy blossoms, then finally arrived at a greener palette. It seemed to me to be reflective of an innate tendency to draw toward nature, away from man made material, to be humbled and alive in a force that is greater than us, yet every bit a part of who we are. I feel we all need to go there, lost into nature places,  to remember what we cannot say with words. I still feel a lot of mystery about this work. I wonder if some day I might meet someone who knows the rest of the story. 

When He Himself Is Covered Green, 2016, watercolor, ink and pastel, 12 3/16″ x 15 15/16″.

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Details:

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In 2010 I painted The Gift. I am thrilled that this magical painting will be included and for sale in Herberger Theater Art Gallery’s upcoming  group exhibition, Home for the Holidays. This show will be located at their Arizona Center gallery at 455 N. Third Street, Suite 1200 in Phoenix, AZ, opening reception November 18th, 6-8pm. The show runs from November 18th – January 16th.

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Below is a work in progress.

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I’ll leave you with a little drawing. Feel all there is with and within the one you love, while you have the time.

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I’ll Stay Awake to See Your Colors

Enjoy the following two new works.

Sun Breaks With Helios, 2016, watercolor, ink and pastel, 13″ x 15 3/4″.

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Locus One For Another, 2016, watercolor, ink and pastel, 10 1/2″ x 9″.

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These new paintings and others are available to purchase at my website: http://charmagnecoe.com/store/

Ghost Gallery continues to represent the following miniature works, Awake, and Stir. These are a lovely, though unintentional, pairing.

 

 

Happy new year to you all! I am pleased to share two new paintings, mixed media works created in watercolor, ink and pastel. They both contain very abstract qualities, characters and are… like my other paintings, very emotional.
The Final Acceptance of Precious Ones, I Am Sure, 2015, watercolor, ink and pastel, 11 3/16″ x 8 15/16″

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The Final Acceptance Of Precious Ones, I Am Sure.2015.400dpi.detail2.ccoe
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The Final Acceptance Of Precious Ones, I Am Sure.2015.400dpi.detail1.ccoe
Diviners, 2015, watercolor, ink and pastel, 8 15/16″ x 9″
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It’s been an extremely first wet winter season in the PNW for me. Record-breaking, in fact. What an induction, let me tell you. There is always water clinging to ferns and filling the bird baths. The skies are blanketed in gray.

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Though it’s enticing to only remain cozy inside by the wood stove or behind insulatory windows, it’s important to go adventuring outside into nature and let those subtle and powerful biophilic forces rejuvenate the spirit. There are many, many ecosystems I know very little about here, having recently moved in September. So I’m educating myself as I go. Hearty duck boots (circa 1991) and fingerless mittens help me go warmly sloshing around. Even on the wettest day, I find it newly feasible to zip up my raincoat and go down to the beach. The forest trails are dense and padded down in a mulch of wet leaves and slick soil. New environments and geography inform new adaptations, both aesthetic and in the mind. This is the middle of the dark Seattle area season, no doubt about it. I’m not acclimated to it yet, but I’m letting it in and feeling.

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These….
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Slip the Rocks and Water, ink drawing

wip.2015.wouldsculptme.3Work in progress, watercolor, ink and pastel.

Charmagne's turquoise

I am mostly settled into my new home art studio in Vashon, WA.  It is a bright space with just the right amount of room to maneuver several paintings at once in various states of progress.  Favorite mementos and pictures are arranged. The scanner is ready for business. Outside my window is a small Japanese Maple that keeps me company in rain or shine… mostly rain these days. It has been at least two months since I’ve been able to really dedicate time to to serious art projects during the transition from Flagstaff. For the last two weeks, I’ve tried to hit the ground running and do feel back in a flow of drawing, painting, writing poetry, correspondence and visiting regional artists and gallery spaces. Here are some samples of my recent creativity. The Seeds of Stretch Marks the Body.2015.300dpi.drawing.ccoe (2)

The Seeds of Stretch Marks the Body

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Enveloping Yet Another.2015.300dpi.drawing.ccoeEnveloping

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22817006581_187b764aba_oTwo of many paintings in progress.

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In my future are many day-trips to surrounding Seattle and Tacoma. I’ve taken a few already and found myself basking in a botanical garden, playing pinball, eating bacon on a stick, watching salmon jump at Ballard Locks and reading/viewing the thoughtfully curated “Painting Poetry” exhibit at Women Painters of Washington Gallery.

Most of the time, I’m at my house nesting and painting. Vashon is a rare gem of a place — a small island with much to uncover.  I am not even close to being used to all the gray weather and rain, but the temperatures are fairly mild and nature is exquisitely unfettered. Just the other day, I was sitting on my deck sketching quietly when suddenly the neighbor’s geese exploded in a hullabaloo of angry honking. A large bald eagle flew over them, then landed in a towering fir tree nearby. Well, no wonder, I thought.
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