You are currently browsing the tag archive for the ‘fine art’ tag.

20708073_10207615922956552_4316812744675634819_n

20881872_117363372254882_241944317314973495_n

I’m thrilled to announce I am now represented by Royse Contemporary, a new gallery in historic downtown Scottsdale Art District. It is a great honor to work with gallery owner and Arizona arts vanguard, Nicole Royse.

Royse Contemporary celebrates it’s grand opening, Southwest Contemporary Today, this Thursday during the Scottsdale ArtWalk. I will be exhibiting new work alongside exciting artists, Angel Cabrales, Monica Aissa Martinez, Daniel Shepherd, Marilyn Szabo, and Fred Tieken.  The opening has been celebrated in Phoenix New Times, Superstition Review and several other cultural arts publications. Please join us on this wonderful debut evening for boundary-pushing art, refreshments and music. You can also RSVP at Facebook.

Southwest Contemporary Today
Thursday, September 14th
5 PM – 10 PM
Royse Contemporary
7077 E. Main Street Suite 6, Scottsdale, Arizona 85251

 

The Season.2017.300dpi.full_image.ccoeThicket.2017.fullimage.ccoe

57309-1502649803461

If you didn’t attend the Opening Reception, or would like to see my work again, please visit me at the Closing Reception of my Phoenix debut solo exhibition, The Reaches. It is occurring during this Third Friday Art Walk in downtown Phoenix. Many art aficionados prefer the more focused, relaxed atmosphere of Third Friday to view and discuss work with the artists. My twenty works include never-before-exhibited pieces and some are even in the raw, unframed. Also enjoy some live jazz by Alan Jones and refreshments. RSVP here

The Reaches
September 15th
6pm – 10pm
Chartreuse Gallery
1301 Grand Ave, Phoenix, AZ 85007

It is a distinct pleasure to announce that I am now represented by Nicole Royse in Phoenix, AZ. As an art consultant and agent, Nicole has a stellar reputation for assisting clients and gallerists in locating art that is a superb fit for their collections and exhibitions. Nicole works tirelessly as a vanguard of the contemporary art movement in Phoenix. You can find out more about our work together, contact information and upcoming exhibitions at https://www.nicoleroyse.com/.

This is a new painting. The Season, 2017, 7 1/8″ x 9 3/8″, watercolor, ink and pastel.

The Season.2017.300dpi.full_image.ccoe

Detail images:

The Season.2017.300dpi.detail7.ccoeThe Season.2017.720dpi.detail1.ccoeThe Season.2017.720dpi.detail4.ccoeThe Season.2017.720dpi.detail3.ccoe

Summer has been full of  family adventures and productive creativity. When I’m in my home studio during the day (night painting is oh-so-much-quieter), they run in and out after swimming or skateboarding. It’s a fairly frenetic balancing act. But it works. My youngest son has recently been apt to make an artistic suggestion or two. He sees a puzzled look on my face as I stand before a painting, and asks:  “Are you stuck? Do you need some help?” He is so charming (he really is), how do I say no? Surprisingly, more than once, his input is intuitively spot on. Just the other morning, he told me I might like to paint a creature in the corner of one of my WIP’s. He’s helping me write the story….

Here are some bits from my latest projects.

sleeping man wip.2017.instagram and blog

titan.wip.ccoe

 

 

 

 

Thicket is my newest abstract and surreal painting, created with watercolor, ink and pastel, 19 1/4″ x 20″.

Thicket.2017.fullimage.ccoe

This slideshow requires JavaScript.

I began this more abstract painting, much as I do many, with only a slight perception of where the story might take me. My lines felt very much in sync with how I make contour drawings, but by using larger movements. India ink is a marvelous medium because it is so powerful, lustrous and unforgiving. Because this ink is permanent, creating with it feels like cliff-jumping. Sometimes I decide to jump really big. Why not? This work is figurative in the slightest, wildest sense. I hope to impart a kind of biophilic, nature-needing impulse.

Thicket is immediately available for purchase at my website.

Here are some recent ink drawings.

Oyster.2017.300dpi.drawing.ccoe.jpg
Oyster

the praise.2017.300dpi.elementals drawing.ccoe

The Praise. This is a drawing from my series, elementals. 

little bird.wip.2017.blog.ccoe.jpg

Above is a detail picture from one of my small paintings in progress. This bird found itself on the edges of a lavender structure. I didn’t know it was a bird till I put a drop of black India ink on the sienna oval… and voila. Tweet, tweet.

It has been a productive summer thus far in my new home/old hometown, Phoenix. It’s heating up, but I feel my body adjusting to the encroaching 110+ temps. However, I won’t mind heading up north to my other mountain home, Flagstaff, to cool off and be inspired by the lupines, primroses and wild orchids.

Below is truly an Arizona drawing called Mountains and Mesas, 2016. I made it while living in an alternate reality of dewy, humid nature in the PNW.

24653376713_d43cbcf6c8_o

Take care.

 

 

 

 

 

 

 

 

 

Enjoy the following two new works.

Sun Breaks With Helios, 2016, watercolor, ink and pastel, 13″ x 15 3/4″.

Sun Breaks With Helios2.2016.300dpi.ccoej

 

 

Locus One For Another, 2016, watercolor, ink and pastel, 10 1/2″ x 9″.

Locus One For Another.2016.300dpi.ccoe

These new paintings and others are available to purchase at my website: http://charmagnecoe.com/store/

Ghost Gallery continues to represent the following miniature works, Awake, and Stir. These are a lovely, though unintentional, pairing.

 

 

I’m thrilled to be participating in an upcoming group exhibition. If you are in the Seattle area, come by and visit my work and many others at the lovely Ghost Gallery! I will be attending the artists’ reception.

Annual Miniature Art Extravaganza
Ghost Gallery
Seattle, WA
December 10th, 2015 – February 7th, 2016
Artists’ Reception December 10th, 5:00 pm – 9:00 pm
Corner of E Denny Way at Summit & Olive (Entry on Summit Side)

I have four small paintings in the show, including the two below.

Sweetness Then Go Outer Skins

Jewels For My Baleen.2015.400dpi.ccoeJewels For My Baleen

Below are recent drawings I’ve completed along the way and while traveling. They are created with black ink.

Generator.2015.400dpi.drawing.ccoeGenerator

Future Forwards Her and She Declines.2015.400dpi.drawing.ccoeFuture Forwards Her and She Declines

img309But There Was More, Ma Belle

Kaleidoscope.2015.400dpi.drawing.ccoeKaleidoscope

Sight Inside the Current.2015.400dpi.drawing.ccoeSign Inside the Current

It’s been extremely rewarding to pursue some new palettes this month and attend to several projects. Below are two of four paintings in progress, and I’m beginning another one today… I woke up thinking of rich indigo and filigree-like white lace. I’ll see where the spark takes me.

11083703_823850590984049_3709165893065287024_o
IMG_20150408_111939-001

Having several concurrent paintings in progress affords me the ability to step back from one when I need to but also keep working on others. It’s important for me, and many other visual artists/writers, I’ve heard, to avoid developing myopia. As well, a kind of block can develop when all one’s hopes are tied to a single project — particularly one that is large and inundating. That happened to me several years ago while doing a large commission. At points, I felt completely overwhelmed; when I got to a puzzling element I would fixate on it and become mired. Time ticked away. I’d paint something that didn’t work, paint it over, then over again. Trickles of self-doubt began to form. Hitting the wall, my efforts became forced, which is anathema to my automatistic, spontaneous flow of creativity I need to create work that is truly alive, surprising and authentic. In frustration I found myself breaking away and taking out a sketchbook. I began drawing unrelated projects and it extinguished my anxiety. What emerged were some of my best drawings AND I returned to the large commission feeling rejuvenated, fueled and having fresh eyes. Time-wise too, it was crucial that I met the deadline, and thankfully I did! It was a learning curve.

7906927474_f6a71b0884_k

I’ve since utilized this healthy discovery in creative process and I make sure to explore art in several directions at once. Not to an overwhelming degree, but just enough so that the projects are mutually beneficial as a whole. Each venture is informing the other, whether on a conscious or subconscious level. When a piece falls flat, I don’t trouble over it as much as I used to. Instead, I usually set it aside (I will often resurrect it later) and get to painting or drawing or writing something else. One creation is happily percolating while another creation is reaching a satisfying completion. I read along the way that “art feeds art”. It’s true.

Windows Watch Us In.ccoe.web

The above painting, Windows Watch Us In, is the focus of my April art column installment, Honey Wove the Marrow, at Arcadia Magazine’s Online Sundries. In it I discuss identity, relating and a bit about fishing with my dad.

This is my newest painting. Let Them Fall and Rise as Garnets, 2015, watercolor, ink and pastel, 14″ x 12″.

Let Them FallLet Them Fall and Rise as Garnets, painting by Charmagne Coe Details. Let Them FallLet Them Fall and Rise as Garnets, painting by Charmagne Coe
Let Them FallLet Them Fall and Rise as Garnets, painting by Charmagne Coe

Let Them FallLet Them Fall and Rise as Garnets, painting by Charmagne Coe

Two paintings, Beloved and The Gift, have been selected for exhibition at Arizona Opera located at 1636 N. Central Ave., Phoenix, AZ. You will be able to view them in the lobby from March 16th – June 5th. This is a wonderful venue featuring some of Arizona’s greatest vocal talents. I’m thrilled!

16726422625_f37e1b16da_b

Beloved
The Gift web

Windows Watch Us In, painting by Charmagne Coe

This is my latest painting, Windows Watch Us In, watercolor, ink and pastel, 8″ x 6 1/8″.  This is a very small, intimate work.

Windows Watch Us In, painting by Charmagne Coe

Windows Watch Us In, painting by Charmagne Coe

These are lyrics from a song I once wrote many, many years ago:

Open the door and slide right into my skin. 
Swing back the gate and let yourself back in.

What are you gonna do when you’re me?
What are you gonna do when I’m you?

Swing back the gate.
Lift up the latch.
I’m coming through. 
You’re coming back. 

 

Honey Wove the Marrow, by Charmagne Coe

Honey Wove the Marrow, by Charmagne Coe

Honey Wove the Marrow, by Charmagne Coe

This is my newest painting, Honey Wove the Marrow. It was created in several layers of watercolor, ink and pastel. This was a longer endeavor, lasting over five months. It was complex in theme and color work. I’m happy, yet a little melancholy, to see this work completed. So it goes. Enjoy.

da8112_e1cfe955238346c9b3bbb3df9a2f6f39.jpg_srz_p_786_229_75_22_0.50_1.20_0

I was asked once again to be a contributing writer of a six-month-long art column in Arcadia Magazine. It will feature six of my paintings and ponderings/poetry about life, art and mystery. This will begin in March. I’m honored to continue being a part of their team!

Painting and Drawing Gallery

Archives

Follow charmagnecoe on Twitter
%d bloggers like this: