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Happy New Year to you! 2018 has greeted me with a lot of new opportunities and creative plans in progress. Tomorrow is my first solo exhibition of the year and I hope you’ll join me!

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Royse Contemporary, in Downtown Scottsdale, AZ, will present my drawings and paintings in my solo exhibition, Pan Door. This is a first-ever showing of my watercolor, ink and pastel surreal drawings. It will also include my newest works. The above picture is a detail from Nigh Blossoms, 2017, 20″ x 19 1/2″, watercolor, ink and pastel. Opening reception tomorrow night!

Pan Door
A Solo Exhibition of Surreal Drawings and Paintings

Opening Reception:  January 11th, 5:00pm – 10:00pm

Exhibition dates:  January 11th – February 3rd
Royse Contemporary, 7077 E Main St Suite 6, Scottsdale, 85251
You may direct inquiries to nicole@nicoleroyse.com

The following are excerpts from my artist statement:

“While the artworks may seem fantastical, they are also rooted in the material and immaterial substance of daily life and history. In viewing these works, you may see the shifting of a paradigm, the transformative dynamics within a relationship, accepted pain, hope illuminated and the pursuit of joy.”

“Her most recent methods are less refined and more raw as she pushes the limits of her skills and media in hopes of imparting the message most authentically and alive.  The driving forces of her work are love and egalitarianism. In weaving together characters and environments, she shows the tangible and intangible ways people connect to one another, to the collective unconscious and with their natural world.”

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Pan Door, 2017, 6″ x 6″,  watercolor, ink and pastel.
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Some drawings included at the exhibition:
Thank you for reading and for your kind support of my artwork. I wish you all a year with much love and joy.

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Details:

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For many works, I’ve recently nixed my tape+staple routine of laying out a painting for a more immediate method. I simply lay my paper on a wood panel, untaped, and begin working.  No clean edges. Rawer work method,  like the old days. I’ve tried this with my little works, to wonderful effect… and have recently started a larger work in the same way. A simple step away from what could become cumbersome can open up new channels and free the work to flow in new directions. Very important. For those who paint, I am using a fabulous 200 lb Saunders Waterford cold press paper… it is very sturdy and does not warp easily, hence the ability to “rough it”. 🙂

I’m really happy to share that I’ve created a new series: Micro Drawings. These small, expressive drawings are thoughtfully created with my favorite medias, watercolor, ink and pastel, on fine 100% cotton paper. They are just right for those who seek a small and meaningful collectible to beautify their environment. Each one is $50 and available in my online shop. I am so enjoying creating these!

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Findway

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In You Me

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Whirl

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Unbind

Please keep my art in mind as we approach the holidays! It’s been a full year in my studio, weaving together stories on canvas and paper. I’ve created miniature to large works, and always with my heart on my sleeve.  You may contact me or Royse Contemporary gallery in Scottsdale with any art queries. We’d love to hear from you! To see my full inventory, visit: http://charmagnecoe.com. #GiveArt #SupportArtYouLove

nov 2017

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It is with great excitement that I announce my debut Phoenix solo exhibition in September at the wonderful contemporary gallery, Chartreuse. You are invited!

The Reaches

Opening Reception, First Friday, September 1st, 6pm – 10pm
Closing Reception, Third Friday, September 14th, 6pm – 10pm
Additional showings on Saturdays 2nd and 16th, 10am – 3pm

Music by Alan Jones. Refreshments.

Chartreuse, 1301 Grand Ave 2b, Phoenix, AZ 85007

 

This large body of expressive surrealistic paintings was created in watercolor, ink and pastel. Each one in some way embodies the show’s title, The Reaches, with themes of connectedness and holism. Most of the paintings have never been shown before. Several new works from this year are included, both framed, and rawly, unframed — though it may be a bit shocking to have some delicate pastel work exposed without glass, they’re going to be living on the edge. My process involves organically, spontaneously allowing the colors, textures and story to evolve before me. My inspiration occurs in recognizing that all of us are parts of deeply interconnected experiences and then, from that vantage point, pursuing creative ideas within subjects such as biophilia (human innate need to connect with nature), mythology, pathos or the collective unconscious.  It is such a pleasure to work and collaborate with agent/curator, Nicole Royse, and owner of Chartreuse, Nancy Hill. You may RSVP here at Facebook.

Chartreuse

I deeply look forward to this opportunity to meet others in my community and share my work. Hope to see you there!

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I completed this painting last week, and the title seemed obvious to me. Two figures connect  and travel earthy caverns. Here is The Passage, 2017, 7 1/8″ x 10 1/4″, watercolor, ink and pastel. It is available here

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Details:

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It really is all in the details. I have a lot of fun panning out and zooming in as I work. I always feel there are many little paintings within the one.

Here are some other drawn works finished this month.

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Pieces and Graces

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Bouquet

To Eat the Bread In Your Wild Wakes

To Eat the Bread in Your Wild Wakes

The drawing below, made with sienna ink and pastel, is part of my biophilic series, elementals.

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Lilt

Thank you again for coming by to look and read.

This is a new small painting. It is a hope-filled expression which feels fitting for the spring season.

Another Day Opens, 2017, watercolor, ink and pastel. It is also available to view and purchase at my website.

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New drawings:
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Anemone, 2017, ink and watercolor drawing.

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Organelle, 2017, ink drawing.
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Ribbon Running, 2017, ink and watercolor drawing

The above painting and drawings are available, so please feel free to inquire! You can do so here or my website contact form.

I had a wonderful time at the group exhibition Put the Art in pARTy at Icehouse Gallery, curated and hosted by Joe Holdren. The setting is always a spacious and intriguing place to explore, as is the art.

I’m looking forward to yet another upcoming group exhibition at Icehouse on May 5: Figure So Surreal, curated by Travis Fields. I’ll be one on 36 other artists showing contemporary surrealistic work. More on that in the next post.

Here is a detail pic of something that sprang onto paper yesterday afternoon. We’ll see where it takes me. Perhaps this is where it stops.

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Every day, I try to either run or hike in the Sonoran landscape. I make a practice to stop and smell the roses… and orange blossoms and creosote. There is so much visible beauty to not only enjoy, but to remind my spirit of how importantly interconnected we all truly are wherever we go, be it a quiet forest in the mountains or a sprawling metropolis. Here is a small dried barrel cactus fruit which must have been a nice meal for a bird or a javelina. It caught my eye, I passed it, then turned around to pick it up.

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I am quite fond of listening to ambient music while I paint, or any time really. My favorites are bands like Pausal and The Dead Texan, who allow for a lot of open spaces between the changing chords and patiently allow the narrative to grow. Like clouds slowly overlapping, merging and dissipating. This musical piece is by an incredible group called A Winged Victory For The Sullen. It was put out on the Erased Tapes Records label, album titled, Requiem For The Static King Part Two.

I’ve just finished another small painting. I will be photographing it in the next day or so, and blog it soon.

Happy Easter. Happy newness.

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