You are currently browsing the tag archive for the ‘automatism’ tag.

Roads Together.2017.300dpi.full_image.ccoe

Details:

Roads Together.2017.720dpi.detail2.ccoeRoads Together.2017.720dpi.detail3.ccoe

For many works, I’ve recently nixed my tape+staple routine of laying out a painting for a more immediate method. I simply lay my paper on a wood panel, untaped, and begin working.  No clean edges. Rawer work method,  like the old days. I’ve tried this with my little works, to wonderful effect… and have recently started a larger work in the same way. A simple step away from what could become cumbersome can open up new channels and free the work to flow in new directions. Very important. For those who paint, I am using a fabulous 200 lb Saunders Waterford cold press paper… it is very sturdy and does not warp easily, hence the ability to “rough it”. 🙂

I’m really happy to share that I’ve created a new series: Micro Drawings. These small, expressive drawings are thoughtfully created with my favorite medias, watercolor, ink and pastel, on fine 100% cotton paper. They are just right for those who seek a small and meaningful collectible to beautify their environment. Each one is $50 and available in my online shop. I am so enjoying creating these!

Findway.2017.400dpi.mini_drawing
Findway

In You Me.2017.500dpi.micro_drawing.ccoe
In You Me

Whirl.2017.300dpi.micro_drawing.ccoe
Whirl

Unbind.2017.400dpi.micro_drawing.ccoe
Unbind

Please keep my art in mind as we approach the holidays! It’s been a full year in my studio, weaving together stories on canvas and paper. I’ve created miniature to large works, and always with my heart on my sleeve.  You may contact me or Royse Contemporary gallery in Scottsdale with any art queries. We’d love to hear from you! To see my full inventory, visit: http://charmagnecoe.com. #GiveArt #SupportArtYouLove

nov 2017

Pan Door.2017.300dpi.full_image.ccoe

This is Pan Door, 2017, 6″ x 6″, watcolor, ink and pastel.

My children and I spent much of their earlier years in a northern Arizona forest. When we went into the woods, it was the closest thing to church we attended. There, we played, layed silently in falling aspen leaves, built forts, discussed mythology, ruminated on spirituality and continually discovered more about each other and the ecosystem of which we are small parts. Recently, my son turned thirteen. It is certainly a right of passage. We now live in a desert city, though the forest remains deep in us. We open ourselves up to new kinds of ecosystems, life stories, friends, dreams and experiences.

Pan Door.2017.720dpi.detail7.ccoePan Door.2017.720dpi.detail4.ccoePan Door.2017.720dpi.detail1.ccoe

 

*******

 

Soft Ferocities.2017.300dpi.full_image.ccoe

Here is Soft Ferocities, 2017, 5″ x 5″, watercolor, ink and pastel.

I reflect often on our human emotional and physical neediness. We are prolific and impacting, to one another, to the earth on which we build lives. I feel, in a way, these rabbits are metaphorical for our fragility, as well as our innate ability to build/destroy.  Both fragility and the powerful ability to adapt our environments to ourselves have many facets, many ramifications.

Soft Ferocities.2017.720dpi.detail3.ccoeSoft Ferocities.2017.720dpi.detail2.ccoeSoft Ferocities.2017.720dpi.detail1.ccoeSoft Ferocities.2017.720dpi.detail5.ccoe

Thanks for reading! Both of the above works are available. For more about them and my other works, visit http://charmagnecoe.com, Facebook or Instagram.  If you are near to historic downtown Scottsdale, AZ, my work is represented and always on view at Royse Contemporary.

37127729621_d95d5769de_z
Artwork by Fred Tieken (L), Charmagne Coe (center), Marily Szabo (R).

20881872_117363372254882_241944317314973495_n

Hello.

Here is fresh, little work to express a love of diversity, and the love of beauty – innate and soulish and envisioned and created and wholly, divinely human. Yes, My Bee, You Should Wear Pink, 5 1/2″ x 7″, 2017,  watercolor, ink and pastel. It IS available here.

Yes My Bee You Should Wear Pink.2017.300dpi.full_image.jpg

The details:

Yes My Bee You Should Wear Pink.2017.720dpi.detail3.ccoeYes My Bee You Should Wear Pink.2017.720dpi.detail4.ccoeYes My Bee You Should Wear Pink.2017.720dpi.detail5.ccoeYes My Bee You Should Wear Pink.2017.720dpi.detail6.ccoe

These are drawings I’ve created in the last several weeks.

Bird and Blue.2017.drawing.ccoe

Bird and Blue, 2017, watercolor, ink and pastel drawing

On the Eve of Sun Lights.2017.ccoe.jpg

On the Eve of Sun Lights, 2017, ink and fingerpainted wine drawing. Is wine archival? Um. Hmm.

37604088390_c3a2fd28e5_o

This drawing in progress, in my Elementals series. My last drawing I created like this was for the inside of a limited edition gatefold album for Pausal on the Infraction label. You can visit this album and see pics of the artwork at bandcamp. In this work, I’m creating a composite: I draw automatistic shapes and figures separately, then I arrange and redraw them into a menagerie. It is so, so much fun to do. My plan for this work is inclusion in an upcoming drawing and painting exhibition.

frames appearance organizing

For more pictures and updates about works in progress, new work and exhibition news, visit my Instagram and Facebook page.

Happy and wonderful fall days to you!

 

I completed this painting last week, and the title seemed obvious to me. Two figures connect  and travel earthy caverns. Here is The Passage, 2017, 7 1/8″ x 10 1/4″, watercolor, ink and pastel. It is available here

Passage.2017.full_image.scan.300dpi.ccoe.jpg

Details:

Passage.2017.300dpi.detail2.in_daylight.ccoePassage.2017.300dpi.detail1.in_daylight.ccoePassage.2017.300dpi.detail3.in_daylight.ccoePassage.2017.300dpi.detail4.in_daylight.ccoe

It really is all in the details. I have a lot of fun panning out and zooming in as I work. I always feel there are many little paintings within the one.

Here are some other drawn works finished this month.

Pieces and Graces.2017.drawing.300dpi.ccoe

Pieces and Graces

Holding a Meaning Together.2017.400dpi.drawing.ccoe

Holding a Meaning TogetherBouquet.2017.400dpi.drawing.ccoe (2)

Bouquet

To Eat the Bread In Your Wild Wakes

To Eat the Bread in Your Wild Wakes

The drawing below, made with sienna ink and pastel, is part of my biophilic series, elementals.

Lilt.2017.drawing.ccoe

Lilt

Thank you again for coming by to look and read.

It is a distinct pleasure to announce that I am now represented by Nicole Royse in Phoenix, AZ. As an art consultant and agent, Nicole has a stellar reputation for assisting clients and gallerists in locating art that is a superb fit for their collections and exhibitions. Nicole works tirelessly as a vanguard of the contemporary art movement in Phoenix. You can find out more about our work together, contact information and upcoming exhibitions at https://www.nicoleroyse.com/.

This is a new painting. The Season, 2017, 7 1/8″ x 9 3/8″, watercolor, ink and pastel.

The Season.2017.300dpi.full_image.ccoe

Detail images:

The Season.2017.300dpi.detail7.ccoeThe Season.2017.720dpi.detail1.ccoeThe Season.2017.720dpi.detail4.ccoeThe Season.2017.720dpi.detail3.ccoe

Summer has been full of  family adventures and productive creativity. When I’m in my home studio during the day (night painting is oh-so-much-quieter), they run in and out after swimming or skateboarding. It’s a fairly frenetic balancing act. But it works. My youngest son has recently been apt to make an artistic suggestion or two. He sees a puzzled look on my face as I stand before a painting, and asks:  “Are you stuck? Do you need some help?” He is so charming (he really is), how do I say no? Surprisingly, more than once, his input is intuitively spot on. Just the other morning, he told me I might like to paint a creature in the corner of one of my WIP’s. He’s helping me write the story….

Here are some bits from my latest projects.

sleeping man wip.2017.instagram and blog

titan.wip.ccoe

 

 

 

 

I completed this small painting in May. It is a meditative piece.

Still for Landings. 2017.300dpi.painting34856538876_3207b9a2da_z34509855650_d31bc756f0_z34856540726_8839109220_z

Drawings, created in ink and pastel….

 

Hear, Here for You.2017.300dpi.drawing.ccoe
Hearing, Here
to let go a god for Spirit.2017.300dpidrawing.ccoe
to let go a god for Spirit

This is a grouping from my series, elementals.

img031

 

And…This is another work in progress.

metamorph.wip.2017.painting.ccoe

 

 

 

This is a new miniature work. It is Lighten, 2017, watercolor, ink and pastel. The painting is available at my website.
34018254206_ca1c65a6b0_b

34018259596_c8e5c4c2ca_z - Copy34058694825_91a41c16db_z  34018261256_6ee29e3d7d_z34018260526_b744ec924d_z

Much of my drawing has always investigated human connection with nature. Several years ago, I read Biophilia by Edward O. Wilson. Written in 1984, this book was ahead of its time with its environmental revelations. The close-up, introspective examination of flora and fauna worlds had a lasting impression on me. He expressed our inherent need to be in a healthy, symbiotic relationship with our planet’s ecosystems of which we are a part. We are a part of this earth’s whole. I am investigating that connection even more in my new series, Elementals. The drawings are less structured, even less representationally figurative than my other work. In 2013, I began to draw these during a limited edition album art project for Pausal’s Along the Mantic Spring (below)… and I realized this the other day in a “haven’t I seen these before?” moment.

14019418513_a0b9476996_o

They are a combination of my emotional, innate responses and spontaneous expressions of nature.

Filial.2017.300dpi.drawing elemental.ccoe

Filial, 2017, ink drawing

33511334100_4de1bef90e_o
Gist Across Over, 2017, ink drawing

33916819256_4c58d5743d_o
Moonlit Stitch, 2017, ink drawing

If you are interested in collecting my drawn works, I do offer them for sale at my website. You can see and purchase them from me directly if you live in the Phoenix metropolitan area. Also feel free to PM me with any questions or thoughts.

drawings available at website.2017.pr for instagram and fb.ccoe

Yesterday, I pulled out the staples adhering the painting, Calamus,to its board, and untaped the border to show the reveal (clean edges). On the back, I wrote my title, signature and date painted. Lastly, I covered it with protective glassine till it is ready to take to the framers. I savor all the small, careful steps that go into the process of making, learning and caring for art.

This slideshow requires JavaScript.

 

 

This is a new small painting. It is a hope-filled expression which feels fitting for the spring season.

Another Day Opens, 2017, watercolor, ink and pastel. It is also available to view and purchase at my website.

Another Day Opens.2017.new_full_image.ccoe

Another Day Opens.2017.new_detail1.ccoe

New drawings:
33766489511_d2e638b713_o
Anemone, 2017, ink and watercolor drawing.

33209747740_e324e99fe1_o

Organelle, 2017, ink drawing.
33436332802_ff2b87aa12_o

Ribbon Running, 2017, ink and watercolor drawing

The above painting and drawings are available, so please feel free to inquire! You can do so here or my website contact form.

I had a wonderful time at the group exhibition Put the Art in pARTy at Icehouse Gallery, curated and hosted by Joe Holdren. The setting is always a spacious and intriguing place to explore, as is the art.

I’m looking forward to yet another upcoming group exhibition at Icehouse on May 5: Figure So Surreal, curated by Travis Fields. I’ll be one on 36 other artists showing contemporary surrealistic work. More on that in the next post.

Here is a detail pic of something that sprang onto paper yesterday afternoon. We’ll see where it takes me. Perhaps this is where it stops.

FullSizeRender.jpg

Every day, I try to either run or hike in the Sonoran landscape. I make a practice to stop and smell the roses… and orange blossoms and creosote. There is so much visible beauty to not only enjoy, but to remind my spirit of how importantly interconnected we all truly are wherever we go, be it a quiet forest in the mountains or a sprawling metropolis. Here is a small dried barrel cactus fruit which must have been a nice meal for a bird or a javelina. It caught my eye, I passed it, then turned around to pick it up.

33097493693_f9eef76531_o

I am quite fond of listening to ambient music while I paint, or any time really. My favorites are bands like Pausal and The Dead Texan, who allow for a lot of open spaces between the changing chords and patiently allow the narrative to grow. Like clouds slowly overlapping, merging and dissipating. This musical piece is by an incredible group called A Winged Victory For The Sullen. It was put out on the Erased Tapes Records label, album titled, Requiem For The Static King Part Two.

I’ve just finished another small painting. I will be photographing it in the next day or so, and blog it soon.

Happy Easter. Happy newness.

This is my newest completed painting. In it, I responded to many ponderings on the way we recognize one another as human animals. How we coalesce because of another’s connection to our lives. I will leave it at that, as there are so many ways to travel from those conversational/meditative starting points. Our Faces Come Because You Look For Us, 2017, watercolor, ink and pastel, 27 1/8″ x 19″, archival paper, unframed. You can view more at my shop. Enjoy.

our-faces-come-because-you-look-for-us-2017-full_image2-300dpi
our-faces-come-because-you-look-for-us-2017-detail1-300dpi-ccoe
our-faces-come-because-you-look-for-us-2017-detail3-300dpi-ccoe

our-faces-come-because-you-look-for-us-2017-detail6-ccoe
Tonight, The Women Who Paint will again be having a group show at the Artery/Studio 6 based around the Art Detour 29 theme The Selfie. The artists included are Charmagne Coe, Carla Keaton, Cindy Schnackel, Lucretia Torva, Marisa Hall Valdez and Randy Zucker. I had to contemplate this theme for a bit… as I am not wont to think of myself as a solo self, but rather, I am me because of all of us. Universality. When I chose the works for the show, I saw my image in the works as me as having been affected by others. And, they are of you too if you see yourself there.

The Selfie Show 
The Artery/Studio 6, 623 Indian School Road

Opening Reception:
First Friday, March 3rd, 6 – 10 pm

Art Detour Hours:
Third Friday, March 17th, 6 – 10 pm
Saturday, March 18th, 11 am – 5 pm
Sunday, March 19th, 11 am – 5 pm

A little more about Art Detour 29:

“Art Detour is expanding from two to four days in 2017, and will feature a diverse slate of activities created by local artists and art venues to celebrate the growing, vibrant Phoenix arts scene. The event is produced by Artlink Inc., in partnership with the City of Phoenix Office of Arts and Culture, Downtown Phoenix, AZ and Artlink Articipants.”

This is the recent drawing, Write the Words’ on Chapters’ Mouths. 

Last month’s Small Works Love Show at The Artery was an intimate exhibition of works by my artist group, Ladies Who Paint. This gallery is located in the heart of Phoenix. It is home to the art collective at Studio 6; there art studios are upstairs… and when you visit, do take the time to see them! This was the first of many shows to come at this location throughout 2017. Below’s picture is courtesy of MJ Deen.



Happy new year to you all! I am pleased to share two new paintings, mixed media works created in watercolor, ink and pastel. They both contain very abstract qualities, characters and are… like my other paintings, very emotional.
The Final Acceptance of Precious Ones, I Am Sure, 2015, watercolor, ink and pastel, 11 3/16″ x 8 15/16″

The Final Acceptance Of Precious Ones, I Am Sure.2015.300dpi.ccoe
The Final Acceptance Of Precious Ones, I Am Sure.2015.400dpi.detail2.ccoe
The Final Acceptance Of Precious Ones, I Am Sure.2015.400dpi.detail3.ccoe
The Final Acceptance Of Precious Ones, I Am Sure.2015.400dpi.detail1.ccoe
Diviners, 2015, watercolor, ink and pastel, 8 15/16″ x 9″
Diviners.2015.300dpi.ccoe
Diviners.2015.400dpi.detail2.ccoe
Diviners.2015.400dpi.detail3.ccoe

It’s been an extremely first wet winter season in the PNW for me. Record-breaking, in fact. What an induction, let me tell you. There is always water clinging to ferns and filling the bird baths. The skies are blanketed in gray.

152
009
Though it’s enticing to only remain cozy inside by the wood stove or behind insulatory windows, it’s important to go adventuring outside into nature and let those subtle and powerful biophilic forces rejuvenate the spirit. There are many, many ecosystems I know very little about here, having recently moved in September. So I’m educating myself as I go. Hearty duck boots (circa 1991) and fingerless mittens help me go warmly sloshing around. Even on the wettest day, I find it newly feasible to zip up my raincoat and go down to the beach. The forest trails are dense and padded down in a mulch of wet leaves and slick soil. New environments and geography inform new adaptations, both aesthetic and in the mind. This is the middle of the dark Seattle area season, no doubt about it. I’m not acclimated to it yet, but I’m letting it in and feeling.

IMG_20151228_122452153
006-001
003-001

These….
23647710664_1035e5e0f4_oLavished, ink drawing
Slip the Rocks and Water.2016.300dpi.drawing.ccoe
Slip the Rocks and Water, ink drawing

wip.2015.wouldsculptme.3Work in progress, watercolor, ink and pastel.

Painting and Drawing Gallery

Archives

Follow charmagnecoe on Twitter
%d bloggers like this: