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Thicket.2017.fullimage.ccoeThicket

It is with great excitement that I announce my debut Phoenix solo exhibition in September at the wonderful contemporary gallery, Chartreuse. You are invited!

The Reaches

Opening Reception, First Friday, September 1st, 6pm – 10pm
Closing Reception, Third Friday, September 14th, 6pm – 10pm
Additional showings on Saturdays 2nd and 16th, 10am – 3pm

Music by Alan Jones. Refreshments.

Chartreuse, 1301 Grand Ave 2b, Phoenix, AZ 85007

 

This large body of expressive surrealistic paintings was created in watercolor, ink and pastel. Each one in some way embodies the show’s title, The Reaches, with themes of connectedness and holism. Most of the paintings have never been shown before. Several new works from this year are included, both framed, and rawly, unframed — though it may be a bit shocking to have some delicate pastel work exposed without glass, they’re going to be living on the edge. My process involves organically, spontaneously allowing the colors, textures and story to evolve before me. My inspiration occurs in recognizing that all of us are parts of deeply interconnected experiences and then, from that vantage point, pursuing creative ideas within subjects such as biophilia (human innate need to connect with nature), mythology, pathos or the collective unconscious.  It is such a pleasure to work and collaborate with agent/curator, Nicole Royse, and owner of Chartreuse, Nancy Hill. You may RSVP here at Facebook.

Chartreuse

I deeply look forward to this opportunity to meet others in my community and share my work. Hope to see you there!

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This week I completed a painting that was… arduous, completely puzzling every step of the way, and made me thankful to have learned even more about the media in which I work.

Here’s Tectonic, With Love, 2017, 19 1/8 x 18 5/16″, watercolor, ink and pastel.

Tectonic, With Love.2017.300dpi.full_image4.8bit.ccoe

At different turns, I’d hear, “You’re not done… there’s still a little bit/lot more left to paint here”, or, “It’s time to take a big risk — do or die.” The colors and layers were worked wet and dry, scraped away, rubbed into the Saunders Waterford paper till the fibers swirled, smashed, lifted with my apron, swept with a fan brush, erased into gauzy films…. I knew many years ago that my decision to work with these three media would provide me with endless challenge and creativity. I’m happy that this painting incorporates several abstracted elements, figures and what, to me, feels like an aerial and undulating perspective into relational terrain.

Here are some detail pictures.

Tectonic, With Love.2017.300dpi.detail1.8bit.ccoeTectonic, With Love.2017.300dpi.detail2.ccoeTectonic, With Love.2017.300dpi.detail6.ccoeTectonic, With Love.2017.300dpi.detail3.ccoeTectonic, With Love.2017.300dpi.detail4.ccoe

When I finish a work, there’s still more to do. After the paint is dry, I pull back the painting tape to see the sharp line of the reveal, where the textured media stops against the contrasting tooth of cotton paper. I remove all of the staples and sign/date/title the back of the painting. Then I store the work under glassine to keep it safe from dust and damage. Sometimes a client will purchase the work unframed, and other times I will have it custom framed — always with conservation quality materials. Each painting has its own distinct frame, specifically selected for the hues, personality, and story.

FullSizeRender (32)framing 3 works.ccoe

The below inked works incorporate different colors and applications of media. I found some older Microns with scruffed-up tips to make some interesting marks. Next week, I plan to work out some ideas on black and brown papers, so come back and visit.

Aegis.2017.300dpi.drawingAegis, 2017, ink and pastel drawing

Watch.2017.drawing.ccoe
Watch, 2017, ink drawing

From All Sides, the Surprising.2017.400dpi.drawing.ccoe
From All Sides, the Surprising, 2017, ink and watercolor drawing

I have two upcoming September exhibitions, both curated by Nicole Royse. I will be posting more about those events in my next entry. You can also keep abreast of my shows at Facebook, Twitter and signing up for my newsletter at my website.

If you have a questions about my work, feel free to drop me a line!

As always, take care….

I completed this painting last week, and the title seemed obvious to me. Two figures connect  and travel earthy caverns. Here is The Passage, 2017, 7 1/8″ x 10 1/4″, watercolor, ink and pastel. It is available here

Passage.2017.full_image.scan.300dpi.ccoe.jpg

Details:

Passage.2017.300dpi.detail2.in_daylight.ccoePassage.2017.300dpi.detail1.in_daylight.ccoePassage.2017.300dpi.detail3.in_daylight.ccoePassage.2017.300dpi.detail4.in_daylight.ccoe

It really is all in the details. I have a lot of fun panning out and zooming in as I work. I always feel there are many little paintings within the one.

Here are some other drawn works finished this month.

Pieces and Graces.2017.drawing.300dpi.ccoe

Pieces and Graces

Holding a Meaning Together.2017.400dpi.drawing.ccoe

Holding a Meaning TogetherBouquet.2017.400dpi.drawing.ccoe (2)

Bouquet

To Eat the Bread In Your Wild Wakes

To Eat the Bread in Your Wild Wakes

The drawing below, made with sienna ink and pastel, is part of my biophilic series, elementals.

Lilt.2017.drawing.ccoe

Lilt

Thank you again for coming by to look and read.

"Living. Give My Regards to Anubis", drawing by Charmagne Coe
“Living. Give My Regards to Anubis”
and below, “Perpetual”

"Perpetual", drawing by Charmagne CoeAt Society6, very affordable open edition prints of my drawings are available. This one is “The Agate/Come Alive”.

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